Wednesday, 24 December 2025 by World Design Consortium
Fabric textured labels and storybook illustrations transform boutique Sardinian wine into tactile narrative experiences
A Golden A' Design Award winner demonstrates how fairytale aesthetics create premium positioning.
The phrase Once Upon a Time carries universal power, and Giovanni Murgia recognized exactly that potential when designing the Cera Una Volta label for Sardinian winery Cantine Chessa. The design deliberately departs from the client's established minimal aesthetic to create a distinct product language. Sara Pilloni's illustration depicts a young girl flying alongside a swallow, guided toward her dream. The imagery communicates ancestral wisdom, personal journey, and winemaking heritage without requiring explanatory paragraphs. What makes the approach particularly clever: Cantine Chessa already had elegant, refined packaging that appealed to wine tourists. The fairytale departure signals that Cera Una Volta represents something genuinely different within the portfolio, a wine born from traditional techniques deserving its own visual vocabulary. The name itself, translating to Once Upon a Time, borrows storytelling language that resonates across cultures.
The tactile dimension elevates the concept from visual storytelling to physical experience. The label paper features a special coating that mimics fabric texture, creating a soft, silky sensation when consumers handle the bottle. Embossing techniques add dimensional qualities that invite exploration. The transparent burgundy bottle reveals the wine's golden color, allowing product and packaging to work together as a unified presentation. A coordinating box for three-bottle purchases uses identical materials, maintaining sensory consistency across touchpoints. The Cera Una Volta wine label earned a Golden A' Design Award in Packaging Design, recognizing how the project integrates narrative concept, material innovation, and systematic design thinking. For boutique wine brands seeking to connect with quality-conscious consumers who value provenance and personal stories, the project demonstrates that packaging investment in unexpected textures and deliberate aesthetic departures can create memorable differentiation.
Packaging that feels different performs different work in consumer minds. The Cera Una Volta project shows boutique brands how strategic contrast with existing portfolio aesthetics, combined with tactile surprise, transforms commercial products into conversation pieces. Wine enthusiasts who seek stories alongside quality find them in fabric-textured labels and illustrated journeys. What stories might your brand tell through unexpected materials?
Two rivers meet in Chongqing, and a restaurant becomes something new. Suigetsu shows hospitality brands how geography transforms into unreplicable identity.
Tuesday, 16 December 2025 by World Design Consortium
Flexhouse turns an unbuildable triangular plot into award-winning lakeside architecture. The constraint-driven approach holds lessons for brands.
Wednesday, 24 December 2025 by World Design Consortium
Udo Dagenbach's Historical Park in Berlin proves landscape architecture can honor difficult history while creating living recreational space for communities.
Tuesday, 16 December 2025 by World Design Consortium
A coffee table that teaches architecture? Olga Szymanska watched children at play and noticed something adults miss. The insight shaped everything.
Tuesday, 16 December 2025 by World Design Consortium
A water bottle that doubles as fitness equipment? The Happy Aquarius reveals how material innovation creates entirely new product categories.
Tuesday, 16 December 2025 by World Design Consortium
RICCA by Ryohei Kanda captures fleeting cherry blossom magic year-round. A template for hospitality brands seeking trend-resistant venue design.
Wednesday, 24 December 2025 by World Design Consortium
A mining surveyor's profession became a six-meter-high floating gallery. The methodology applies to any organization seeking identity architecture.
Tuesday, 16 December 2025 by World Design Consortium
Concrete for bass, ceramic for voices, wood for strings. Sestetto proves that audio environments deserve architectural thinking for brands.
Thursday, 18 December 2025 by World Design Consortium
Nagano Interior watched people lean awkwardly against kitchen counters then designed a stool for the space between standing and sitting.
Tuesday, 16 December 2025 by World Design Consortium
Vintage pharmaceutical aesthetics trigger instant trust. Secret Tarts reveals how brands borrow heritage through precise visual mechanisms.
Tuesday, 16 December 2025 by World Design Consortium
The Qoros 7 reveals how philosophical foundations create stronger brand recognition than surface styling. A case study in design language.
Tuesday, 16 December 2025 by World Design Consortium
K Farm turned zero greenery into a thriving harbor farm through community consultation and triple methodology. The template applies far beyond Hong Kong.
Tuesday, 16 December 2025 by World Design Consortium
The Max Series reveals how coordinated device families create strategic flexibility for smart home enterprises. Modular architecture in action.
Tuesday, 16 December 2025 by World Design Consortium
NDA Group's Citychamp Dartong Plaza reveals how corporate architecture can honor heritage while breeding innovation. A lesson in building values.
Tuesday, 16 December 2025 by World Design Consortium
The Forum pavilion produced 66 unique aluminum panels in 12 hours. For brands exploring physical presence, the question shifts from cost to creativity.
Tuesday, 16 December 2025 by World Design Consortium
Research partnerships and contextual awareness transformed Pepsi cans into cultural bridges for Mexican NFL fans during pandemic isolation.
Tuesday, 16 December 2025 by World Design Consortium
Page 1 of 100 • Showing items 1-16 of 1591
Saturday, 13 December 2025 • World Design Consortium
Diamond shaped metal frames and wooden bars create tool-free assembly for furniture brands targeting mobile consumers
Geometric connections solve the material degradation that defeats traditional metal-to-wood furniture joints.
Lu Li questioned why furniture joints must be circular. The Butterfly Hanger's diamond geometry creates portable durability for mobile consumers.
DMAG Design Magazine is pleased to present award-winning projects from world's best designers and brands.
More Design Office
Hospitality
HUI QIONG YANG
Illustration
Xu Zhecheng
Interactive Installation Art
China Resources Snow Breweries
Beer Packaging
Guten Interior Design
Residence
Jörg Stauvermann
Exhibition
Mónica Pinto de Almeida
Lighting
Chengdu Wanjiazu Technology Co., Ltd
Packaging
Maxxis International and Cheng Shin Rubber Ind
Intelligent Tire
Osteoid Design Team
Customizable Rigid Orthotic Brace
Dabi Robert
Watch
Aico Ltd
Visitor Center
Lingyun Zhong
Demonstration Room
Zhubo Design
Exhibition Center
Yong Zhang
Natural Aromatherapy Humidifier
Alexey Danilin
Table Lamp
Yan Junjie
Restaurant
Ryan Chung
Dessert Cafe
Liliang Shan
Exhibition Center
Oliver Schütte
Residential
Fernando Andrade
Bus Station
Vincent Hsieh
Restaurant Pub
Menghao Zeng
Dried Fruit Packaging
Ying Zhang
Sales Office
Alan Hung
Chair
Elif Günes
Door Handle
Zhaozhao Lv
Training Content Design
Tony & Lisa Clark
Sleeping Bag
Yi Ju Liao
Residence
You Zhang
Digital Illustration
Sheng-Lin Kao
Residence
REZZAN BENARDETE
Private Yatch
Z-work Design
Model House
Xi Yang
Boutique Chocolate Packaging
Kristian Ruden
Armchair
Yongna Sheng
Sales Office